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Motto Casino Royal
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Edit Casino Royale James Bond Eva Green Vesper Lynd Mads Mikkelsen Le Chiffre Judi Dench M Jeffrey Wright Felix Leiter Giancarlo Giannini Rene Mathis Caterina Murino Solange Simon Abkarian Steven Obanno as Isaach De Bankole Jesper Christensen White Ivana Milicevic Valenka Tobias Menzies Villiers Claudio Santamaria Carlos Sebastien Foucan Dryden Richard Sammel Adolph Gettler Ludger Pistor Mendel Joseph Millson Carter Darwin Shaw Fisher as Daud Shah Clemens Schick Kratt Emmanuel Avena Leo Tom Chadbon Stockbroker Ade Infante Urbano Barberini Tomelli Tsai Chin Madame Wu Charlie Levi Leroy Gallardo Lazar Ristovski Kaminofsky Tom So Fukutu Veruschka von Lehndorff Gräfin von Wallenstein as Veruschka Andreas Daniel Dealer as Daniel Andreas Carlos Leal Tournament Director Christina Cole Ocean Club Receptionist Jürgen Tarrach Schultz John Gold Card Players Jerry Inzerillo Card Players Diane Hartford Card Players Jessica Miller Dealer Leo Stransky Given Eon's series led to spy films being in vogue at the time, Feldman opted to make his film a spoof of the Bond series instead of a straightforward adaptation.

Ben Hecht's contribution to the project, if not the final result, was in fact substantial and he wrote several complete drafts. Time magazine reported in May that Hecht had "three bashes" at completing a script, while his papers contain material from four surviving screenplays by Hecht.

A draft from discovered in Hecht's papers — but which does not identify the screenwriter — is a direct adaptation of the novel, albeit with the Bond character absent, instead being replaced by a poker-playing American gangster.

Later drafts see vice made central to the plot, with the Le Chiffre character becoming head of a network of brothels as he is in the novel whose patrons are then blackmailed by Le Chiffre to fund Spectre an invention of the screenwriter.

The racy plot elements opened up by this change of background include a chase scene through Hamburg 's red light district that results in Bond escaping disguised as a female mud wrestler.

New characters appear such as Lili Wing, a brothel madam and former lover of Bond whose ultimate fate is to be crushed in the back of a garbage truck, and Gita, wife of Le Chiffre.

The beautiful Gita, whose face and throat are hideously disfigured as a result of Bond using her as a shield during a gunfight in the same sequence which sees Wing meet her fate, goes on to become the prime protagonist in the torture scene that features in the book, a role originally Le Chiffre's.

Virtually nothing from Hecht's scripts was ever filmed, although a draft dated to February has a line of dialogue containing the idea of MI6 having given multiple agents the name of James Bond after Bond has died to confuse the other side.

Time reported in that the script had been completely re-written by Billy Wilder , and by the time the film reached production only the idea that the name James Bond should be given to a number of other agents remained.

This key plot device in the finished film, in the case of Hecht's version, occurs after the demise of the original James Bond an event which happened prior to the beginning of his story which, as Hecht's M puts it, "not only perpetuates his memory, but confuses the opposition.

In addition to the credited writers, Woody Allen, Peter Sellers, Val Guest , Ben Hecht , Joseph Heller , Terry Southern, and Billy Wilder are all believed to have contributed to the screenplay to varying degrees.

Feldman called it "a four ring circus". Peter Sellers hired Terry Southern to write his dialogue and not the rest of the script to "outshine" Orson Welles and Woody Allen.

Feldman originally intended to cast Terence Cooper as James Bond and had him under personal contract for two years prior to the movie being made. Feldman had worked with Peter Sellers on What's New Pussycat?

Sellers originally turned him down saying he felt the image of Bond was "too fixed". Feldman persuaded Sellers to change his mind by asking the actor to instead play a "little man" who plays James Bond.

Filming started 11 January The principal filming was carried out at Pinewood Studios , Shepperton Studios and Twickenham Studios in London.

Extensive sequences also featured London, notably Trafalgar Square and the exterior of 10 Downing Street. Mereworth Castle in Kent was used as the home of Sir James Bond, which is blown up at the start of the film.

Much of the filming for M's Scottish castle was actually done on location in County Meath , Ireland , with Killeen Castle as the focus.

Five different directors helming different segments of the film and with stunt co-ordinator Richard Talmadge co-directing the final sequence.

Feldman said that John Huston contributed 38 minutes in the final cut, Ken Hughes 25 minutes, Joseph McGrath 20 minutes, Robert Parrish 20 minutes, and Val Guest 26 minutes.

Huston's sequence involved Sir James Bond meeting the representatives of agencies. It was shot in Ireland and Kent in April Huston worked on his section of the script with Wolf Mankowitz.

Huston had written most of Beat the Devil on location but says "that was discipline compared to this. It was day to day then it's moment to moment here.

Huston says the film "was broached to me as a lark, which it was. Joseph McGrath shot for six weeks.

Bob Parrish filmed the segment with Ursula Andress and Peter Sellers at Shepperton. Ken Hughes was not known for comedies generally but had just directed the comedy Drop Dead Darling.

Val Guest wrote and directed the last section and was given the responsibility of splicing the various "chapters" together.

He was offered the unique title of co-ordinating director but declined, claiming the chaotic plot would not reflect well on him if he were so credited.

His extra credit was labelled 'additional sequences' instead. Director credits: [30]. Part of the behind-the-scenes drama of this film's production concerned the filming of the segments involving Peter Sellers.

Screenwriter Wolf Mankowitz declared that Sellers felt intimidated by Orson Welles to the extent that, except for a couple of shots, neither was in the studio simultaneously.

Other versions of the legend depict the drama stemming from Sellers being slighted, in favour of Welles, by Princess Margaret whom Sellers knew during her visit to the set.

Welles also insisted on performing magic tricks as Le Chiffre, and the director obliged. Director Val Guest wrote that Welles did not think much of Sellers, and had refused to work with "that amateur".

Director Joseph McGrath , a personal friend of Sellers, was punched by the actor when he complained about Sellers's behaviour on the set.

Some biographies of Sellers suggest that he took the role of Bond to heart, and was annoyed at the decision to make Casino Royale a comedy, as he wanted to play Bond straight.

This is illustrated in somewhat fictionalised form in the film The Life and Death of Peter Sellers , based on the biography by Roger Lewis , who has claimed that Sellers kept re-writing and improvising scenes to make them play seriously.

This story is in agreement with the observation that the only parts of the film close to the book are the ones featuring Sellers and Welles.

Jean-Paul Belmondo and George Raft received major billing , even though each actor appears only briefly. Both appear during the climactic brawl at the end, Raft flipping his trademark coin and promptly shooting himself dead with a backward-firing pistol, while Belmondo appears wearing a fake moustache as the French Foreign Legion officer who requires an English phrase book to translate " merde!

At the Intercon science fiction convention held in Slough in , David Prowse commented on his part in this film, apparently his big-screen debut.

He claimed that he was originally asked to play "Super Pooh", a giant Winnie-the-Pooh in a superhero costume who attacks Tremble during the Torture of The Mind sequence.

This idea, as with many others in the film's script, was rapidly dropped, and Prowse was re-cast as a Frankenstein -type monster for the closing scenes.

The final sequence was principally directed by former actor and stuntman Richard Talmadge. Sellers went absent for days or weeks at a time, refused to appear in his scenes with Welles [32] and left the production before all of his scenes had been shot.

The framing device of a beginning and ending with David Niven was created to salvage the material. Signs of missing footage from the Sellers segments are evident at various points.

Evelyn Tremble is not captured on camera; an outtake of Sellers entering a racing car was substituted. Out-takes of Sellers were also used for Tremble's dream sequence pretending to play the piano on Ursula Andress ' torso , in the finale — blowing out the candles while in highland dress — and at the end of the film when all the various "James Bond doubles" are together.

In the kidnap sequence, Tremble's death is also very abruptly inserted; it consists of pre-existing footage of Tremble being rescued by Vesper, followed by a later-filmed shot of her abruptly deciding to shoot him, followed by a freeze-frame over some of the previous footage of her surrounded by bodies noticeably a zoom-in on the previous shot.

As well as this, an entire sequence involving Tremble going to the front for the underground James Bond training school which turns out to be under Harrods , of which the training area was the lowest level was never shot, thus creating an abrupt cut from Vesper announcing that Tremble will be James Bond to Tremble exiting the lift into the training school.

Many sequences from the film were dropped, so that several actors never appeared in the final cut, including Ian Hendry as , the agent whose body is briefly seen being disposed of by Vesper , Mona Washbourne and Arthur Mullard.

For the music, Feldman decided to bring in Burt Bacharach , who had done the score for his previous production What's New Pussycat?

Bacharach worked over two years writing for Casino Royale , in the meantime composing the After the Fox score and being forced to decline participation in Luv.

Lyricist Hal David contributed with various songs, many of which appeared in just instrumental versions. The title theme was Alpert's second number one on the Easy Listening chart where it spent two weeks at the top in June and peaked at number 27 on the Billboard Hot The film features the song " The Look of Love " performed by Dusty Springfield.

It is played in the scene of Vesper Lynd recruiting Evelyn Tremble, seen through a man-size aquarium in a seductive walk. It was nominated for the Academy Award for Best Original Song.

The song was a Top 10 radio hit at the KGB and KHJ radio stations. It was heard again in the first Austin Powers film, which was to a degree inspired by Casino Royale.

Bacharach would later rework two tracks of the score into songs: "Home James, Don't Spare the Horses" was re-arranged as "Bond Street", appearing on Bacharach's album Reach Out , and "Flying Saucer — First Stop Berlin", was reworked with vocals as "Let the Love Come Through" by orchestra leader and arranger Roland Shaw.

A clarinet melody would later be featured in a Cracker Jack peanut popcorn commercial. As an in-joke, a brief snippet of John Barry 's song " Born Free " is used in the film.

At the time, Barry was the main composer for the Eon Bond series, and said song had won an Academy Award over Bacharach's own " Alfie ". The cover art was done by Robert McGinnis , based on the film poster.

The soundtrack album became famous among audio purists for the excellence of its recording. The film soundtrack has since been released by other companies in different configurations including complete score releases.

The highly regarded master tapes were damaged, however, during a s remastering [ citation needed ] so none of the subsequent re-releases is considered to be as fine as the original LP release.

However, during filming the project ran into several problems and the shoot ran months over schedule, with the costs also running well over.

The problems postponed the launch until April Casino Royale had its world premiere in London's Odeon Leicester Square on 13 April , breaking many opening records in the theatre's history.

When domestic box-office receipts are adjusted for inflation, Casino Royale is 20th-largest grossing of all the Bond films. No advance press screenings of Casino Royale were held, leading reviews to only appear after the premiere.

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Motto Casino Royal
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  • 03.03.2020 um 17:54
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    Ist Einverstanden, es ist die ausgezeichnete Variante

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